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Nonsense, of course, but effective nonetheless. Difference between superior drummer and ezdrummer windows#However, Apple still retains their prestige from the old days, and they do a lot of ego based marketing ("You're elite if you use Apple") to compensate for the fact that Windows owns the mass market. Difference between superior drummer and ezdrummer software#The differences are more about your computer's specs, the version of OS you're running and the wisdom of your choices in installing software of dubious integrity, not the brand of your computer / OS. Today, they both do the same things (and crash with the same frequency). As you say, things have equalized since then. Difference between superior drummer and ezdrummer Pc#Back then, a PC running DOS was a blunt weapon and a Mac was an elegant instrument. I chose that path at the time because for every 1 job coding for a Mac, there were 100,000 for a PC. I've been programming for a living since 89, working on Microsoft operating systems. In the meantime, any guidance will be much appreciated. If I win the lottery I will just do it and let you know. We don't always have FOH engineer, so I would set for live starting in SD. So I think I can do this live, it's a simpler setup and saves space with extra gear. In fact, I have two stereo channels available this way. I would need to have confidence that this will do what I want, not find out down the line that there is some limitation that will frustrate my efforts (again).Ĭurrently for recording, I route the guide track from my DAW to the TD, and that does work fine. I've ruled out using SD samples in the Roland, I will lose all expression and articulation, hence now looking to trigger SD live from my TD. So in this journey I'm on, I've come to a bit of a desert. The toms are where I'm suffering most, the kick is just about fine, and the rest OK. But I just cannot get the sound that's in my head, I've tried coming at it from a number of directions. ![]() ![]() Then I upgraded to the TD 50, solely for the snare which is larger and responds more evenly across the head. I did some great recordings, and had about 5 kits for live which were great (once tuned in for the PA). Difference between superior drummer and ezdrummer pro#I weighed it all up a few years ago against an pro Tama kit, and finally decided to go for the TD 30 for all the benefits that e-drums provide. For all your other routing, I would recommend just letting the FOH guy do his work by setting up your personal mix, monitor mixes, etc. That will allow you to route the audio from Superior to the FOH. 3, I'd recommend a decent interface to go with the laptop. Or at least that's what I could make out.Ĥ) Given No. The USB is mainly used for transferring audio FROM the TD50, but not the other way around. I'd recommend a Macbook Pro, since the OS is much more stable than Windows, which often crashes at inappropriate times.ģ) I'm not familiar with the TD50, but I don't think you can transfer sounds using midi to the TD50. Even a mid range acoustic drumkit can sound better than the samples on an electronic kit, and it will be much more dynamic because it is the real thing.Ģ) If you are deadset on using the e-kit, I'd invest in a good laptop. Welcome to the forums! I trigger Superior Drummer 3 in my home studio using a TD30K.ġ) What are your motives for using an electronic drumkit live? Before you dive in, ask yourself that question seriously. Is there a way of doing this? What would be peachy is if SD could respond to Program Change messages, but I just don’t know. Is there any reason why this would not work?Īlso, it would nice to switch between SD kits without fumbling around with the laptop. From there, I can route it to the master out (to the FOH), route it to my monitoring, and also mix the monitor feed from the rest of the band coming back. ![]() I route the stereo bus from SD to the TD, via USB. The FOH desk will be set up with a clear stereo channel (for once the sound guy would have to trust me). I plan to build my kits in SD, EQ’d and processed for live, and route it out on a stereo bus. The previous topic gave good information on audio interfaces, but I already had an idea on another possible solution, which I hope you guys could give an opinion on. It’s going to cost in the order of £1,500 (ouch), but there’s not much worse than playing and not getting to sound you want. My problem is, the stock sounds in my Roland TD 50 are just not doing it for me, and I’m looking at SD3 running alongside for live work. It’s great to see such good and knowledgeable advice! I came to this forum as a result of a previous similar topic. ![]()
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